The Latest

Jul 24, 2014 / 16 notes
(via Subjective - SHOWstudio - The Home of Fashion Film)

Nick Knight and SHOWstudio present the history of contemporary fashion photography as told from the subjects’ perspectives. When envisaging ‘Subjective’, Knight sought to empower models by putting their oft-unheard stories in the spotlight. He talks to a range of women, including Kate Moss, Alek Wek, Lily Cole and Tatjana Patitz, whose faces and forms helped create the world’s most iconic images.
Jul 24, 2014 / 10 notes

(via Subjective - SHOWstudio - The Home of Fashion Film)

Nick Knight and SHOWstudio present the history of contemporary fashion photography as told from the subjects’ perspectives. When envisaging ‘Subjective’, Knight sought to empower models by putting their oft-unheard stories in the spotlight. He talks to a range of women, including Kate Moss, Alek Wek, Lily Cole and Tatjana Patitz, whose faces and forms helped create the world’s most iconic images.

Fashion Futures
Spotlighting the Industry’s Rising Image-Makers
(via Fashion Futures - NOWNESS)
Jul 23, 2014 / 112 notes

Fashion Futures
Spotlighting the Industry’s Rising Image-Makers
(via Fashion Futures - NOWNESS)

(via Ying Ang - Photography)
Jul 23, 2014 / 34 notes
Jul 23, 2014 / 15 notes

Ling Ang - Goldcoast Book Trailer

Workshop: Jason Fulford on Visual Language: How Pictures Speak to Each Other
Saturday, November 15, 2014, 10:00 a.m.–5:00 p.m. 
& 
Sunday, November 16, 2014, 10:00 a.m.–5:00 p.m.
Aperture Foundation 
547 West 27th Street, 4th Floor 
New York, N.Y.
fulford_2
←→
“Everywhere there is a grammatical mysticism. Grammar. It is not only the human being that speaks—the universe also speaks—everything speaks—unending languages.”
—Novalis

The single photograph, despite its specificity, remains ambiguous. The image is always relative to something else: another image, the mode of presentation, text, or the viewer’s own mood and memory. For this reason, context is an important tool for the photographer. Context can be used either to play on the photograph’s inherent ambiguity, or to clarify the photographer’s message. In this hands-on workshop, participants will discuss and experiment with visual language and the relationship between images. On day one, participants engage in a series of games and exercises that will teach them conceptual editing tools using found imagery. On day two, participants will work on their own and each other’s personal work.

In advance of the workshop, participants must send twenty-five found photographs and twenty-five of their own photographs, the latter preferably from a single body of work.

Jason Fulford is a photographer and cofounder of J&L Books. He is a contributing editor to Blind Spot magazine and a frequent lecturer at universities. Monographs of his work include Sunbird (2000), Crushed (2003), Raising Frogs For $$$ (2006), The Mushroom Collector (2010), and Hotel Oracle (2013). He is coeditor with Gregory Halpern of The Photographer’s Playbook (Aperture, 2014), and coauthor with Tamara Shopsin of the photography book for children This Equals That (Aperture, 2014). Fulford is also a 2014 Guggenheim Fellowship recipient.
Jul 23, 2014 / 11 notes

Workshop: Jason Fulford on Visual Language: How Pictures Speak to Each Other
Saturday, November 15, 2014, 10:00 a.m.–5:00 p.m.
&
Sunday, November 16, 2014, 10:00 a.m.–5:00 p.m.
Aperture Foundation
547 West 27th Street, 4th Floor
New York, N.Y.
fulford_2
←→
“Everywhere there is a grammatical mysticism. Grammar. It is not only the human being that speaks—the universe also speaks—everything speaks—unending languages.”
—Novalis

The single photograph, despite its specificity, remains ambiguous. The image is always relative to something else: another image, the mode of presentation, text, or the viewer’s own mood and memory. For this reason, context is an important tool for the photographer. Context can be used either to play on the photograph’s inherent ambiguity, or to clarify the photographer’s message. In this hands-on workshop, participants will discuss and experiment with visual language and the relationship between images. On day one, participants engage in a series of games and exercises that will teach them conceptual editing tools using found imagery. On day two, participants will work on their own and each other’s personal work.

In advance of the workshop, participants must send twenty-five found photographs and twenty-five of their own photographs, the latter preferably from a single body of work.

Jason Fulford is a photographer and cofounder of J&L Books. He is a contributing editor to Blind Spot magazine and a frequent lecturer at universities. Monographs of his work include Sunbird (2000), Crushed (2003), Raising Frogs For $$$ (2006), The Mushroom Collector (2010), and Hotel Oracle (2013). He is coeditor with Gregory Halpern of The Photographer’s Playbook (Aperture, 2014), and coauthor with Tamara Shopsin of the photography book for children This Equals That (Aperture, 2014). Fulford is also a 2014 Guggenheim Fellowship recipient.

Jul 21, 2014 / 80 notes
“Flowers aren’t just beautiful to show on tables,” said Azuma Makoto, a 38-year-old artist based in Tokyo. His latest installation piece, if you could call it that, takes this statement to the extreme. Two botanical objects — “Shiki 1,” a Japanese white pine bonsai suspended from a metal frame, and an untitled arrangement of orchids, hydrangeas, lilies and irises, among other blossoms — were launched into the stratosphere on Tuesday in Black Rock Desert outside Gerlach, Nevada, a site made famous for its hosting of the annual Burning Man festival. ”I wanted to see the movement and beauty of plants and flowers suspended in space,” Makoto explained that morning.
Jul 18, 2014 / 451 notes

“Flowers aren’t just beautiful to show on tables,” said Azuma Makoto, a 38-year-old artist based in Tokyo. His latest installation piece, if you could call it that, takes this statement to the extreme. Two botanical objects — “Shiki 1,” a Japanese white pine bonsai suspended from a metal frame, and an untitled arrangement of orchids, hydrangeas, lilies and irises, among other blossoms — were launched into the stratosphere on Tuesday in Black Rock Desert outside Gerlach, Nevada, a site made famous for its hosting of the annual Burning Man festival. ”I wanted to see the movement and beauty of plants and flowers suspended in space,” Makoto explained that morning.

Jul 15, 2014 / 123 notes

On press photos of my upcoming book with New Documents

Much thanks to the wonderful Jason Fulford for proofing the book overseas!

Photos by Jason Fulford

(via Arles 2014: Nicolo Degiorgis lifts the veil on Italy’s Islamophobia | Art and design | theguardian.com)
Jul 15, 2014 / 44 notes
(via These Accidental Mirror Pics on Google Museum Are Pretty Creepy « The WILD Magazine)
Jun 30, 2014 / 63 notes
(via Delaney Allen - BOOOOOOOM! - CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS)
Jun 26, 2014 / 158 notes
This is the last week to pre order The Ones We Love!So happy to be a part of this!

The Ones We Love Volume IThe Ones We Love Volume I is the first printed publication of the project. The 100 page book features the work of 80 photographers and contains 4 exclusive special features. Order your copy here: http://theoneswelove.net/shop The Ones We Love is an intimate platform for upcoming photographers from around the world to portray the people they love, cherish, and find inspiration within.
Jun 25, 2014 / 103 notes

This is the last week to pre order The Ones We Love!So happy to be a part of this! The Ones We Love Volume I
The Ones We Love Volume I is the first printed publication of the project. The 100 page book features the work of 80 photographers and contains 4 exclusive special features. Order your copy here: http://theoneswelove.net/shop The Ones We Love is an intimate platform for upcoming photographers from around the world to portray the people they love, cherish, and find inspiration within.

contemporaryartdaily:

Imi Knoebel at Christian Lethert
Jun 20, 2014 / 124 notes
(via Art Producers Speak: Misha Taylor | A Photo Editor)
Jun 20, 2014 / 236 notes